I think the benefit of the style being used is that it gives the film a definite realistic look and feel. Unfortunately, what happens in this situation – and what happened in this scene – is that one actor ends up shadowing the other.” (Pavlus, J., April 2004b, para. We ended up cutting holes in the lampshades and hiding light bulbs around the set to illuminate the scene. “In one scene, when Clementine brings Joel to her apartment for the first time, we had two cameras covering the scene from start to finish, and because we were seeing the entire room, I had to use the practical lamps as the only source of key light I couldn’t get any other kind of ancillary light low enough to look natural. After they’d built Joel’s apartment set, Dan pulled me aside and said, ‘All of the ceilings have been nailed down, so you won’t be able to light from above.’ That made me laugh – the last nail in my coffin!”” (Pavlus, J., April 2004a, para. On stage, Michel wanted to recreate the conditions we had encountered on location. “For a night exterior, for example, I had to clip some sodium vapors onto telephone poles to augment the existing sodium vapors.
#Movies similar to eternal sunshine of the spotless mind movie#
“On the first day of shooting, I wasn’t allowed to use any real movie lights because Michel wanted me to light to eye,” she says.
“Eternal Sunshine was Kuras and Gondry’s first collaboration, and the cinematographer says that the first three weeks of production were devoted to developing a lighting strategy that would combine an extensive use of practicals with a handful of movie lights. They often intentionally try to avoid the artificial three–point system, using whatever type of light is available in the environment they’re shooting in, although they may try to position people to take advantage of natural lighting that looks similar to a traditional three–point setup” (Goodykoontz, B., & Jacobs, C. I think if anything, since the lighting was basically natural, it may have been both low-key and high-key lighting in certain scenes. As our online textbook from Chapter two states, “Makers of documentaries and fiction films shot in a documentary style, however, prefer a natural look to these other options.
The types of lighting used in the film were mainly all natural and it was very challenging for the cinematographer. We could feel happy, humorous, exhilarated, melancholy, angry, and depressed/or gloomy. Lighting techniques can also make us, while watching a film reflect on our own thoughts with the particular mood being presented. It is what sets the tone and mood of the story making us movie watchers feel for the characters depending on certain scenes and situations. Not the point of the post at all obviously.Lighting and its different techniques, is very imperative in all of filmmaking.
So if anyone's got recommendations I'd love to hear, thank you.įor those feeling somehow compelled to comment "4 years is too long" or "get therapy", yes I know. I've seen "500 days of Summer" which is kinda dealing with an ex but not to the same extent as this film. I connect with his character in the film completely. I grew up with Jim Carrey throughout his 90s to early 2000s roles and didn't think he'd be capable of seriousness but I have such respect for him as an actor now & forever. Maybe there's no niche for that notion in cinema idk. I've tried to search online but the "recommendations" people give don't follow what I'm searching for at all, literally trying to get over someone. I'm no stranger to foreign films if that helps.
It's a film about trying to wipe an old flame out of your life and literally your mind. The ending kind of put me back to square one (but didn't at the same time to the point I cheered on the couple) if that makes sense. I watched half the film sober and the other half drunk. I came across "Eternal Sunshine of The Spotless Mind" and it really resonated with me. It's been 4 years and I'm still not over an ex girlfriend/partner for various reasons. I'm a bit of a loss cause in terms of love.